Bostonist was a-rockin’ this weekend, even before the Rolling Stones took the stage at Fenway. Juliana Hatfield commanded a faithful audience at the Paradise on Saturday night, following Boston locals Furvis and The Gentlemen. Hatfield, backed up by The Gentlemen’s drummer and bassist, offered a refreshing dose of thoughtful, introspective rock and roll.
A native of Duxbury, MA, and trained at the Berklee College of Music, Hatfield is best known for her dabbles in the mainstream a decade ago. Her first two solo efforts, Hey Babe (1992) and Become What You Are (1993), were met with early critical acclaim and commercial success. “Spin the Bottle” on the Reality Bites sound-track (1994), a memorable cameo as a runaway on My So-Called Life, and the September 1992 cover of Sassy Magazine established Hatfield as an icon to a young Bostonist.
Saturday night’s concert, however, was by no means an empty throw-back to early 90s stardom. Hatfield demonstrated that she’s been busy making good, meaningful music for the past 10 years and didn’t need the limelight to do so. A lengthy set including notable selections from Become What You Are (1993), Only Everything (1995), Please Do Not Disturb (1997), Beautiful Creature (2000), In Exile Deo (2004), and Made In China (2005) satisfied seasoned fans while introducing the artist’s talent and range to a younger fan base as well. Her first encore included Become What You Are’s “My Sister,” eliciting the most boisterous Bostonist reaction of the night.
Hatfield, with a grown-out pixie cut to match her pixie frame, is hard not to adore. As she told Bostonist and the rest of the crowd “I love you more than I’ve ever loved a single person. You’re too good to me.” She has a genuine sweetness that makes her sometimes heavy sound accessible. Made In China was released in this month under Hatfield’s own label, Ye Olde Records; Bostonist encourages you to take a listen. Thanks to Stereogum for reintroducing Juliana Hatfield to all of us.
Also noteworthy: Furvis, whom Hatfield deemed “The Future of Rock and Roll,” played a delightful rendition of the Flaming Lips' “Vaseline." Rough around the edges and sporting spotty facial hair, Furvis is young but undeniably talented. Bostonist looks forward to following their development. They return to Boston on Saturday, October 1, for the Nemo Showcase at the Abbey Lounge in Somerville.
Contributed by Mary Tomer

More Than a Feeling: New George Clooney Movie Stares at Goats, Appreciates Boston


Bostonist is right, this concert was great. Can you believe that Juliana Hatfield is 36 years old now? She looks and sounds at least 10 years younger...
Juliana was lovely and amazing on Saturday night.
The Globe published a good review this morning:
http://www.boston.com/ae/music/articles/2005/08/22/hatfield_puts_new_in_an_old_light/
They gave the Gentlemen too much credit though. I mean, if people were checking their watches, there's probably a reason. The stage antics were lame-o.
Also, I got the name of the Flaming Lips song wrong (terrible embarrassment) -- it's "She Don't Use Jelly" not "Vaseline".
Bostonist, did I read the Globe article correctly about Hatfield doing a Kelly Clarkson cover during one of the encores?! I don't know if that's really cool or really depressing...
yes, kelly clarkson cover indeed. first song of the first encore. i don't know if was cool or depressing either, probably ironic more than anything. check out her diatribe about Made In China: http://www.julianahatfield.com/MICdiatribe.html
oh man, how i miss SASSY magazine. the only thing that comes close these days is JANE.
there are rumors that juliana made a brief tribute to beloved former red sox Mark Bellhorn at her show.
Rumors are true. Juliana had a framed picture of Mark Bellhorn on stage and even held a moment of silence for him late in the set. Serious biz.
Ironically, Mark Bellhorn has been holding a moment of silence himself since early May.