2008 wasn't the biggest year ever for Boston music. Our biggest success might have been our oldest, as the New Kids on the Block got back together for a (misogynistic?) record and tour; we called their performance "a polished show infused with moments of giddiness—a lovefest between four guys from Dorchester, one JP product and a screaming hometown crowd." Apollo Sunshine, whose August live show felt like "stumbling upon a drum circle in the field of a music festival," made a couple of best-of lists, as did the Hold Steady, fronted by BC grad Craig Finn. "Bostonians of the Week" Broken River Prophet released an exciting new album that we really dug. Local singer Jess Tardy's work was featured on the TV show Lipstick Jungle. But for the most part, 2008 was just not a Boston-heavy music year.
When they came to town, we managed to photograph Deerhoof/Lionhead, see the Sea and Cake (again), and catch Cold War Kids. We also talked to New York Times jazz critic Ben Ratliff and caught Large Professor, and recapped Boston bands at SXSW, which numbered anywhere from 20 to 40 depending on what you want to count as "Boston."
Artists appearing on most critics' top ten lists include Fleet Foxes, No Age, Cut Copy, Lil Wayne, MGMT, TV On the Radio, Bon Iver, Erykah Badu, Santogold, Portishead, and more—but very few Mass-related endeavors. The absurdly popular (but also absurdly cute) Columbia group Vampire Weekend hit the scene early in the year with an album full of songs about Massachusetts. From "Cape Cod Kwassa Kwassa" to the story of Walcott's flight from the bears out in Provincetown, Vampire Weekend paid tribute to our fine, fancy coastline.
2008 might not have been the hottest year for Boston music, but there are a lot of things to look forward to in 2009: the Swirlies are reuniting, the House of Blues is opening, and... well, let's just hope 2009 is a stronger year for Boston music than the last.

Democratic Primary Debate at WGBH: Transcript Time!


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