The WTF Winter's Tale

winterstale.jpg Why might you be interested in seeing Shakespeare's The Winter's Tale performed by a Somerville community theater?

Let's start with the play itself (spoiler alerts, for those who didn't participate in high school English): it is completely and utterly ridiculous, as though Shakespeare was smoking some kind of Elizabethan crack when he decided to adapt a story that involved a seaside bear attack, a dead kid, a courtroom drama with the Oracle of Delphi as an expert witness, a sheep-shearing festival, a 16-year gap between two acts, a statue that (SPOILER!) comes to life, and (SPOILER!) a happy ending that exonerates a psychotic king who caused the deaths of his family. Also, winter doesn't really have anything to do with the story.

All that and you get to learn more than a hundred euphemisms for the word "slut!" You really should have paid more attention to Shakespeare in high school.

Now we explain why you will want to see this play performed by Theatre@First in the basement of a Davis Square church. For starters, you'll be supporting local arts. In just six years, Theatre@First has become Somerville's largest adult community theater group. This is their first production at the Unity of God Church, which is an intimate (read: tiny) space where you may be uncomfortably close to your fellow audience members but always just close enough to the actors. With tickets costing only $12, it's a recession-friendly way to be a patron of the arts.

Add to that the fact that the acting talent is great. If you've never given community theater a chance, forget Waiting for Guffman. Many of these actors turn in wonderful performances, with a few real stand-outs. You should be aware that there is a kid in the play (Mamillius, played by Isaac Richman), and he's perfectly adorable without being annoying. On opening night, he nailed all his lines, allowing the entire audience to breathe a sigh of relief. Nobody wants to see a kid that cute fail. Unless it's on YouTube.

Other standouts included Johanna Winer, who takes over the stage as Paulina, a headstrong woman who generates the appropriate amount of outrage toward the king who suddenly goes a few crackers short of a snack box. In the more comedic second half, Ari Herbstman shows that he deserves his own sitcom. He's hilarious as a wandering con artist who sings, picks pockets, and charms the rubes. Joshua Nicholson (who is, admittedly, a friend of this Bostonist) is also amusing, channeling his inner Jeeves as the devoted (and slightly homoerotic) servant Camillo.

So there you have it: ridiculous story, cheap tickets, great actors, and 100 ways to call someone a slut. What more could you want?

The show runs through this Saturday, May 2. Tickets available online.

Photo of Herbstman from Flickr

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