Women ended up on tables, a lot: in rapture, in protest, in flagrante delicto, and asleep. As the Cutler Majestic's red velvet curtain rose last night, we saw the heroine in a heap of wedding dress on a dining table, an image that echoed throughout the opera. Semele, the reluctant bride, is the best-developed character in the work, foolish, but sympathetic, but so petulant, even before she leaves the groom at the altar and runs......