Love Bites will start at Coolidge Corner Theatre tonight at midnight. Tickets are $9. Tomorrow night, Coolidge Corner Theatre will throw a Moulin Rouge Sing-a-Long at midnight, too. But the prospect of singing along with Axl seems way cooler. If you're nursing a broken heart, or if you can't help but break out in song every time you hear Bonnie Tyler's "Total Eclipse of the Heart," you must race down to Coolidge Corner at midnight...
Results tagged “brighteyes”
We live in an iTunes nation. It's easy to pull a track down to your pod for under a buck. Bostonist still longs for cover art, liner notes, and that masterwork that is a multi-track collection of songs we call an album. Listed here is our much discussed, unbiased by payola, top 25 albums of 2005. After the jump you'll find where some of us stand individually on the subject of the years best. (Apparently...
With 2005’s Black Sheep Boy, Okkervil River’s Will Sheff has found his voice. Having already established his band’s American folkternative sound with Down the River of Golden Dreams, Sheff now celebrates the confidence and dexterity to sing his songs with a power already present in his writing. The instrumentation raises similarities to other contemporary artists while distinguishing the record from Okkervil’s previous releases. Compare the gentle strings and lonely narrator of “In A Radio Song” to Arcade Fire’s “Neighborhood #4 (7 Kettles),” and the sweetness and punctuation of mandolin and trumpet on “A King and A Queen” to Bright Eyes’ “We Are Nowhere and It’s Now.” Themes of isolation and a dark view of the world at times rest BSB in between Arcade Fire’s Funeral and Bright Eyes’ I’m Wide, It’s Morning, while not aiming for the sonic assault of the former, but still bringing more punch and thickness than the latter.
